Discover Painted Hand Pueblo: Canyons of the Ancients

Underneath the rocky overhang of Painted Hand Pueblo is the faint, painted outline of a hand that gave this ruin its name. ©Laurel Kallenbach

Underneath the rocky overhang of Painted Hand Pueblo is the faint, painted outline of a hand that gave this ruin its name. ©Laurel Kallenbach

[May 2017 update: The Trump administration has placed Canyons of the Ancients National Monument under review for possible removal from the National Landscape Conservation System, which would endanger the monument’s irreplaceable, ancient archaeological sites.]

If you’re driving through Canyons of the Ancients National Monument in southwestern Colorado, don’t miss a sweet little ruin down a mile of dirt road off Road 10. (It’s not too far outside of Hovenweep National Monument, another enchanting site for prehistoric ruins in the Four Corners area.

My husband, Ken, and I bumped down the road (it can be a little rough) until we found the Painted Hand Pueblo trail leading to a lovely 13th-century Ancestral Pueblo (Anasazi) tower gracefully perched over the canyon.

We parked and then took the short ¼-mile hike. The beginning is easy, leading through piñon and juniper forest. Scrambling down the banded sandstone to reach the tower’s base was more challenging (I was glad to have sturdy hiking boots!). However, the view of the stacked-brick tower beckoned.

As we explored and enjoyed the tower, it was Ken who found and pointed out the faint shape of three white hands painted on rock—the reason for the ruins’ name. The lonely call of a hawk overhead got me wondering about the long-ago artist who left handprints handprint on this peaceful valley.

What’s There: Painted Hand has interpretive signs and brochures at its trailhead. There’s no water or toilets—and the road is rough. (We made it in our Toyota Camry, but if the roads are muddy, you might need a four-wheel drive.)

About Canyons of the Ancients National Monument

Declared a National Monument in 2000, Canyons of the Ancients contains some of the most scenic and archaeological important land in the American Southwest. This unique, federally protected area—176,056 acres—contains the highest known density of archaeological sites in the United States. More than 6,000 ancient sites including cliff dwellings, kivas, and rock art have been identified. 

For more information on the region, visit Mesa Verde Country visitor information bureau.

Laurel Kallenbach, freelance writer and editor

(originally published October 2008)

Read more about my travels in America’s national parks and monuments:

Explore a Ruined Pueblo in Canyons of the Ancients National Monument

Ken explores some of the passages at the ruin of Lowry Pueblo. © Laurel Kallenbach

Ken explores some of the passages at the ruin of Lowry Pueblo. © Laurel Kallenbach

[May 2017 update: The Trump administration is placing Canyons of the Ancients National Monument under review for possible removal from the National Landscape Conservation System, which would endanger the monument’s irreplaceable, ancient archaeological sites.]

Along Colorado Highway 491, pinto and Anasazi bean fields line the road—as do spectacular sunflowers. (Dried Anasazi beans, sold as local souvenirs, are an heirloom variety grown from seeds found in ancient pottery.)

At the hamlet of Pleasant View, Ken and I followed Road CC nine miles (on asphalt and gravel) to Lowry Pueblo, just one of Canyons of the Ancients’ multitude of archaeological sites, most of which are unexplored.

This settlement was home to about 40 people in the late 1100s, and the stabilized masonry walls mark small rooms.

Lowry has one of the region’s largest kivas—47 feet in diameter—with floor stones laid in a decorative pattern. The signs tell about the various interpretations of the patterns, which supposedly tell a story.

There’s no gas or food in Canyons of the Ancients National Monument, so pack food and lots of water. And be sure to have a hat, sunglasses, long-sleeved shirt and pants, and plenty of sunscreen to shield you from the intense sun. Sturdy footwear and good socks will protect you from rocks and cactus.

What’s There: Lowry Pueblo is a small site with reconstructed ruins to explore. There are interpretive signs, brochures, a picnic table and pit toilets—but no water.

About Canyons of the Ancients National Monument

Declared a National Monument in 2000, Canyons of the Ancients contains some of the most scenic and archaeologically important land in the American Southwest. This unique, federally protected area—176,056 acres—contains the highest known density of archaeological sites in the United States. More than 6,000 ancient sites including cliff dwellings, kivas, and rock art have been identified. 

For more information on the region, visit Mesa Verde Country visitor information bureau.

Laurel Kallenbach, freelance writer and editor

(Originally published on October 18, 2008)

Read more about my travels in America’s national parks and monuments:

The Anasazi Treasures of Canyons of the Ancients

Kokopelli, a fertility character who appears in much ancient Ancestral Puebloan art, adorns this bowl. ©Laurel Kallenbach

Kokopelli, a fertility character who appears in much ancient Ancestral Puebloan art, adorns this bowl. ©Laurel Kallenbach

[April 26, 2017 update: The Trump administration is placing Canyons of the Ancients National Monument under review for possible removal from the National Landscape Conservation System, which would endanger irreplaceable, ancient archaeological sites. The Bureau of Land Management still allows for grazing and oil and gas development on parts of the monument, just as it did before President Clinton designated the federal protection of this land in  June of 2000.]

Ten miles from Cortez, Colorado, is the Anasazi Heritage Center, the visitor’s center and museum for Canyons of the Ancients National Monument. This first-rate museum should be the first stop for every visitor who wants to understand the archaeological treasures of the Anasazi. (The Anasazi are now called Ancestral Puebloans because these ancient people were the ancestors of current Pueblo tribes.)

Ancestral Puebloan pottery ©Laurel Kallenbach

Ancestral Puebloan pottery ©Laurel Kallenbach

First, some background on Canyons of the Ancients National Monument. Declared a National Monument in 2000, this unique, federally protected area—176,056 acres—contains the highest known density of archaeological sites in the United States. More than 6,000 ancient sites including cliff dwellings, kivas, and rock art have been identified. 

I’m a museum buff, and this one lets you see the best of the artifacts—which you won’t see in the field. I learned about kivas (ceremonial, subterranean, circular rooms) and how corn was ground by hand with stones. I even eye-balled some pottery sherds under a microscope. And I marveled at beautifully preserved examples of 900-year-old pottery and tools.

I also loved the philosophy of education and cross-cultural understanding here. There’s a children’s discovery center where you can touch a dog-hair weaving and grind corn between rocks as the Ancestral Puebloans did.

“In archaeology, a rock’s not just a rock,” says Victoria Atkins, the Heritage Center’s interpretive specialist. “It tells a story about what people in the past ate, how they lived, how they spent their time. We try to add a human touch to understanding the past.”

A 10-minute film, “Visit with Respect,” does just that. It outlines rules for preserving ancient sites: Don’t climb on or eat near the ruins, never disturb or remove bits of pottery or rock that you find, and stay on paths. It also illustrates how the ruined villages are sacred to today’s Pueblo tribes—Hopi, Acoma, Laguna—who believe the ruins are home to their ancestors’ spirits. These people ask the spirits’ permission before entering sacred spaces—and offer thanks when they leave.

My husband and I got our first chance to greet the spirits of the ancestors at Escalante Pueblo, located just up the hill from the Anasazi Heritage Center. From this height, we surveyed McPhee Reservoir and Mesa Verde.

Pitchers, cups and ladels on display at the Anasazi Heritage Center museum. ©Laurel Kallenbach

Pitchers, cups and ladels on display at the Anasazi Heritage Center museum. ©Laurel Kallenbach

We also admired the rocky profile of Sleeping Ute Mountain, a range of peaks resembling a fallen warrior with his arms crossed over his chest. He wears a different blanket each season: white in winter, green in spring and summer, and gold in fall. The legend says the warrior will someday rise again.

One note for visitors to Canyons of the Ancients National Monument: there’s no fee to visit, but no water is available, and there are no campgrounds (primitive roadside camping is allowed).

For more information on the region, visit Mesa Verde Country visitor information bureau.

—Laurel Kallenbach, freelance writer and editor

Originally published October 2008

Read more about my travels in America’s national parks and monuments:

Dresden’s Frauenkirche: from a Church in Ruins to a Rising Phoenix

The famous photo of Dresden after it was bombed in February 1945.

The famous photo of Dresden after it was bombed in February 1945.

Grainy black-and-white photos of Dresden, Germany, as an ash-covered, bombed-out city with piles of burned corpses in the streets are all that remains of the days and years of annihilation that followed after the WWII bombings in early 1945. Or are they?

I write this on February 13, 2017, Dresden’s Memorial Day, on which the city commemorates February 13, 1945, the day the British and American allies began the bombing of this historic city, sometimes called “Florence of the Elbe River” because its church domes, spires, and ornate palaces and opera house are reminiscent of Florence, Italy.

The bombing turned much of the historic Old City to rubble. Few structures withstood either the bombs or the ensuing inferno generated by about 650,000 incendiary bombs the Allies dropped on the city within 48 hours. The human toll was about 25,000 people, mostly civilians.

The ruins of the Church of Our Lady in Dresden, taken in the 1960s.

The ruins of the Church of Our Lady in Dresden, taken in the 1960s.

Some say Dresden was an “innocent” city with no Nazi ammunition factories or tactical advantage for the war.

Others, including my guide for the “Slaughterhouse Five” tour (more about that in my next post), point out that in 1934, Dresden welcomed Hitler with open arms when he attended an opera at the Semper Opera House in the Theatreplatz. In honor of the fuhrer, Dresdeners renamed their theater square as “Adolf-Hitler-Platz.”

In addition, there seem to have been some logistical centers located in Dresden during the war. Apparently, armaments were stored there, and military training was done in or near the city. These may have been for defense of the city—in times of war, it’s always difficult to know where to draw the line. And after almost six years of the war, the Allies were desperate to finish it, although Dresden’s destruction may not have played much of a part, other than as a display of terrorism.

The Symbolism of the Church of Our Lady

Dresden's Frauenkirche current reincarnation. Photo by Christoph Muench, courtesy Dresden Marketing Board

Dresden’s Frauenkirche’s current reincarnation. Photo by Christoph Muench, courtesy Dresden Marketing Board

The primary symbol of Dresden’s destruction is the Lutheran Frauenkirche (Church of Our Lady), which had one of the largest domes in Europe. Several hundred people took shelter from the bombs in the church’s underground vaults and crypts.

The church withstood the bombing for two days, but ultimately, the dome collapsed on the morning of February 15 from extreme heat; the temperature surrounding the church was estimated at 1,830°F. Reports say the church pillars became red-hot and exploded and that the outer walls shattered. More than 5,000 tons of stone plummeted to earth. The people in the basement evacuated just in time, only to succumb to the firestorm outside.

For decades, Dresden remained a city of rubble. The East German communist government cleared the streets of tons and tons of rubble, and decided to leave the two pieces of wall that stood as a memorial to war. After German Reunification, plans began to rebuild the Frauenkirche. In 1993, archaeologists numbered every stone in the Frauenkirche ruins and photographed each stone’s location before clearing the area for reconstruction. “Rebuilding by replacing every stone that still existed into its original place became the world’s biggest jigsaw puzzle,” says Grit Jandura, PR manager for Frauenkirche Dresden.

Visitors light candles for peace inside the Frauenkirche sanctuary. Photo courtesy Frauenkirche Dresden

Visitors light candles for peace inside the Frauenkirche sanctuary. Photo courtesy Frauenkirche Dresden

The church was completed and re-consecrated on October 30, 2005. It now stands as regally as ever, dominating the Neumarkt Square, with the statue of Martin Luther in front standing upright again. (During the bombing, he was “knocked out of his shoes” as the German expression says; only his feet on the pedestal were intact.)

War and Peace

The rebuilt church is now a monument to peace and reconciliation after the horror of war; perhaps the wounds have healed, yet the painful scars from the bombing still exist, says Jandura. I found a number of stories about the church’s resurrection to be especially touching. For instance, on the altar is a cross made from three iron nails taken from the ruins of England’s Coventry Cathedral, which the Germans blitzed in November of 1940. Both Dresden and Coventry suffered a similar tragedy during WWII, and with this gift, they are forever linked.

The bent and melted tower cross was discovered in the rubble. Photo courtesy Frauenkirche Dresden

The bent and melted tower cross was discovered in the rubble. Photo courtesy Frauenkirche Dresden

Also, the tower cross that crowned the Frauenkirche’s dome was bent and melted after it fell. It is now displayed inside the sanctuary as a reminder of the destruction, but the new tower cross atop the church was donated by the people of the United Kingdom, the country that dropped the first bombs. The Englishman who insisted on crafting the metalwork for that cross, free of charge, turned out to be the son of one of the pilots who bombed Dresden.

There are those who say that the restored Church of Our Lady is lovely, but it’s no longer a harsh reminder of wartime attrocities. “Many wonder how they can teach children the cruelty of war now that the Frauenkirche is whole again,” says Jandura.

Outside the Frauenkirche during my February visit is a temporary art installation of upended buses by Syrian-German artist Manaf Halbouni that serves as a monument to contemporary wars. In Aleppo, people have been using buses as barricades against sniper bullets.

An art installation titled "Monument" recreates an image from the Syrian civil war: buses propped up vertically in an Aleppo street as a barricade against sniper fire. The artist is Syrian-German artist Manaf Halbouni. In the background is the Frauenkirche. Photo © Laurel Kallenbach

An art installation titled “Monument” recreates an image from the Syrian civil war: buses propped up in an Aleppo street as a barricade against sniper fire. (This view shows the underside of the buses.) The artist is Syrian-German artist Manaf Halbouni. In the background is the Frauenkirche. Photo © Laurel Kallenbach

 

The bus art installation—raw, mechanical, and titled “Monument”—has been quite controversial, yet here is a new testament to war’s horrors. In Dresden, where the Frauenkirche has returned to “normal,” it’s unsettling to remember that the world is still filled with violence and hatred, and that wars rage on.

Laurel Kallenbach, freelance writer and editor

Flowers and notes are attached to the grillwork on the underbelly of the buses. The note says, "Respect, Tolerance, Courage, Change, Responsibility, We Are Humans ©Laurel Kallenbach

Flowers and notes are attached to the grillwork on the underbelly of the buses in Neumarkt Square. The white, paper note says, “Respect, Tolerance, Courage, Change, Responsibility, We are (all) Humans.” Photo ©Laurel Kallenbach